Sunday, April 9, 2017

Seascape - oil 1973

Another oil from 1973. A prolific year, Mom must have gotten into a routine with taking care of Lisa, Chris and I, that she found time to take painting classes and to paint. She really jumped into painting oils this year. Probably mom's first seascape, an area she would comeback to a few more times, it being her first it is somewhat developmental: the water having a more solid feel then liquid, except for the foam area (noted below) almost belongs in another painting. The sky is quite nice and you can see she is developing here.

"Seascape" oil on canvas board 1973

detail: this crashing wave lacks the power she develops in some later seascapes

detail:  the foamy surf is actually quite nice, I can feel and hear it. 


detail: signed Capobianco '73, establishing this painting in her early getting back into her painting 

detail: 1973 nicely dated




Saturday, April 8, 2017

Early Oil - Little Red Barn

This painting I am guessing predates the previous two posts. It seems cruder in some aspects. The tree in particular seems less realized then the Old Mill or the Red Barn. The colors though are great, the purple hills and the orange tree. There is a story here. You can't help but be drawn to that little red barn. It is a good example of mom's early development as a painter.
Little Red Barn oil 1973

detail: i do like this orange.  

detail: love this little barn though

detail: less thoughtful depiction of trees then later oils

nicely dated and signing 'capobianco' 





Friday, April 7, 2017

Red Barn ( possibly unfinished )

Mom painted a lot of barns. She took a lot of photos of old barns. She really liked old barns. This painting is probably the first barn she painted. It rests squarely in the early to mid 70's period and has a certain simplicity to it unlike her more accomplished water color barns. Perhaps it is too symmetrical  in it's composition but it does have a kind of children's book quality to it.  This too was a painting I remember from my childhood. The painting is unsigned maybe because she wasn't entirely happy with it or it wasn't finished, not sure, but it should be noted mom did sign most of her work it seems unless it was unfinished.

the Red Barn oil 1970's

detail of the grass shows Mom getting more brave with her technique.

detail: here as well - her handling of the foliage is much more effortless then the barn or the fence.

detail of tress : don't seem to fit with the rest of the foliage in painting but have a certain charm all to themselves. 


Thursday, April 6, 2017

The Old Mill

It being Mom's birthday today, thought I should post something to her art blog. Shame I haven't posted anything in awhile and now Uncle Bruce has passed on in 2016, so on more person with a memory of mom is gone.

In honor of Uncle Bruce, who loved history, let's post "The Old Mill".  One of Mom's earlier landscape   oils depicting the Old Mill in Saddle Brook, NJ. I believe this mill has been around since the 1700's and supposedly Washington marched his troops by it as they escaped from the battle of Fort Lee on his way to the Delaware River and eventually the battle of Trenton. This painting always seemed to move around our house and I can't remember a time it didn't occupy some wall. I have very fond memories of it and always liked it.

The Old Mill  oil  1970's

The Old Mill detail. It is crude for sure, naive, she is still developing herself as an artist. Mom always worked on her skills and never gave up. Maybe that's why I like this painting. 


detail of the two foot bridges - I like the graphic simplicity 
of these 
detail - Mom always excelled with nature and the foreground 
foliage is definitely the strongest aspect of the painting 

detail - 
still signing Capobianco - placing this painting in the 1970's